Deezer Animal



CURIOUS SOUNDS: Kulning, the ancient Scandinavian music that controls animals.

Posted by Anne-Sophie | August 24, 2017 | arch-MUSIC

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Jonna Jinton is a 26 year old Instagram star living in Sweden. She’s not a fashion icon, nor a lifestyle influencer; she practices Kulning, a traditional voice technique used by women in Scandinavia to call cattle when herding. Jinton is also a talented photographer who knows how to capture the magic of the vanishing natural world. Her story sounds like one most of us dream about when we’re slumped behind our desks on a Monday afternoon. Originally from Gothenburg, Jinton slammed the door on her city life 5 years ago. She was suffocating in the concrete jungle and felt trapped in her urban daily routine. Feeling miserable and longing to change her way of living, Jonna moved from city life to a cabin by the forest next to a small hamlet (population: ten). Jonna now takes amazing pictures for a living and lives a “traditional” Swedish life, which includes foraging, self-sufficiency and chanting Kulning.

Kulning, or Kaukning in some parts of Norway, is a medieval form of Scandinavian singing often used to call livestock down from inaccessible mountain pastures.Although the ethereal bordering-on-eerie songs have been kept alive by people like Jonna Jinton, the tradition is slowly dying out.

Rhythm

How does it work?

Much like yodeling, Kulning is music made for long distance sound propagation. When a call is made, it rings and echoes in the valley. The animals respond to the call. Some calls include specific animal names to call the animals that tend to lead the herd. The herds are never very large so it’s easy to call them. Kulning is also used to scare off predators such as wolves.

Where have I heard Kulning before?

Edvard Grieg’s classical works were greatly inspired by Scandinavian herd-calling and it’s still used by certain Scandinavian folk groups like Frifot.

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If you like Sigur Ros or music that is heavily connected to the natural world, vast nordic landscapes, or otherworldly sounds, you’ve come to the right place.


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Glass Animals’ Deezer Session


Six months ago Dave Barley and band mates Drew MacFarlane (guitar), Edmund Irwin-Singer (bass) and Joe Seward (drums) ended their massive debut world tour. Dave still has difficulty grasping their overwhelming success. “It’s so weird, I made music with my friends for fun” he says, “I didn’t actually think it would become my career, I haven’t even had time to really think about it”.

Considering the instant success of their first album, the pressure around the release of their second album has been palpable. Zaba has sold over 500,000 copies and was streamed over 200 million times across all platforms so expectations were running high. And boy, were expectations met.

It comes as no surprise that the band’s second album, How To Be A Human Being, is a hit. It was recorded in 6 months, an incredibly short amount of time for an album. “We literally got off the [tour] bus and went to the studio” says Barley. The first single from the album, ‘Life Itself’, reflects the band’s new ambitions. The songs are more daring, pop-punk and charmingly imperfect.

How To Be A Human Being feels more intimate, which seems only natural considering the album talks about people. The songs are inspired by recordings that David made on his phone: “I tried to record people having conversations without them noticing, taxi drivers, people we met at concerts or parties. People can say the oddest things when they’re under the impression they won’t ever see you again”. The album spins a web of human life stories; their fascination with human behaviour makes Glass Animals‘ music unique and addictive. How To Be A Human Being is as complex as the human mind, shedding light on Glass Animals’ psyche and the wonders of the human condition.

Watch Glass Animal’s Deezer Session here:


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